From: MR PORTER The Journal - Tuesday Jun 23, 2020 01:00 pm
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The Star Of Netflix Hit White Lines On Making A Stand, Playing A Sociopath And “That Tooth”
Words by Ms Lili Göksenin | Photography by Ms Cat Garcia | Styling by Ms Sophie Watson
What’s the point of being a celebrity if you can’t even go outside, let alone be mobbed by fans or visit late-night talk shows to share gossipy anecdotes or lip sync a song from the 1980s? Sure, being cooped up has been tough for all of us, but what about the stars in our midst? “I’m not a celebrity,” insists Mr Tom Rhys Harries, demurely shaking his pixelated head over Zoom, waggling a dangly earring as he does so. We may just have to agree to disagree with the star of the Netflix whopper White Lines, who currently has more than 76,000 followers on Instagram. First, though, he wants to discuss something far more important than fame. “I’ve been inundating myself with the news,” he says once we sort our connectivity issues. “It’s just f****** mad isn’t it.”

When we speak, national outrage over the tragic death of Mr George Floyd, a black man, at the hands of the Minneapolis police, is developing into a much-needed and long-overdue global campaign for racial equality. In London, Mr Rhys Harries and I – two white people (one 27-year-old Welshman, one age-withheld American respectively) – are reckoning with our own complicity and privilege while we’re supposed to be discussing his eye-catching performance in White Lines. “I’m sorry,” he says. “I don’t want to make this take over our conversation, it’s just so prevalent in my mind. I’ve found it hard to have conversations with people all last week without talking about it, because it’s huge.” In the days leading up to our conversation (and the days following), Mr Rhys Harries has been vocal on Instagram, posting his support of the Black Lives Matter movement and imploring fellow white people to educate themselves.

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The series, created by Mr Álex Pina (Money Heist), follows Zoe Walker (played by Ms Laura Haddock), as she works to unravel the mysterious two-decade-old murder of her brother, Axel Collins – Mr Rhys Harries – a DJ who leaves 1990s-era Manchester to try his luck in Ibiza. As Zoe sorts through lies, misunderstandings and drug-addled memories of his friends and enemies, we meet a rather unsavoury cast of characters. Standouts include Mr Daniel Mays, excellent as a DJ/father/banana boat drug-smuggler, who delivers a performance so full of cringey, bad-decision moments that it will lock your jaw right up. Elsewhere, Conchita Calafat (Ms Belén López), the chilling matriarch of an Ibiza club empire, is so dementedly unhinged, you can’t take your eyes off of her – and, also, is she sleeping with her adult son? One of Axel’s friends runs a luxury orgy, another has found enlightenment – everything’s a beautiful Balearic mess.
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